Unlike Cornwell's usual fare, Southern Cross is driven almost exclusively
by
an interest in these strange personalities and their surreal hometown,
rather
than in fast-paced thrills. The novel becomes a satire on city politics,
Southern culture, the ever-tense relationship between the police and the
public, and the struggles of the average man and woman with computer
technology. Cornwell does fall down in a few places. First, her description
of the computer virus that somehow infects police department Web sites
from Richmond to New York seems a bit far-fetched. Also, her narrative,
divided among three major characters, loses its focus and sags at several
points. In the end, though, Southern Cross is redeemed by Cornwell's
inimitable renderings of police work and the quotidian life of Richmond's
many odd denizens. --Patrick O'Kelley
Seize the Night offers up the same eclectic mix of characters that appeared
in Fear Nothing: boardhead Bobby, disc jockey Sasha, Snow, and all of
their friends band together to find the missing kids and figure out why
the
people of Moonlight Bay are morphing into demonic versions of their
former selves. They outsmart corrupt cops, outrun genetically enhanced
monkeys, and outlive a time warp with a vengeance--all between nightfall
and sunrise, the only time that Snow can be outside.
Though the premise is a little bit hard to believe, and the surf lingo
occasionally irritating, Seize the Night is ultimately fun to read. Koontz
successfully draws you in and keeps you entertained through an unexpected
climax and an enlightening resolution. --Mara Friedman